This two-part photoplay was written and produced by Richard Ridgely. It is a sort of Maud Muller story boiled down. In theme, however, it has been cleverly written and directed. Mabel Trunnelle is the lovable Norah and is ably supported by Bigelow Cooper, Anna Leonard, Yale Benner, Herbert Prior and Allen Crolius. There is much heart interest in the plot and suspense as to the outcome, which eventually results in a satisfactory ending. The photography and scenic effects were extraordinarily beautiful. - The Moving Picture World, July 25, 1914
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