I was so intrigued with this film. Taking the classic story of the man who sells his soul (initially to benefit humanity). Playing with shadows and religious symbols. Using Emile Jannings "Mephisto" as a three dimensional character, even comedic at times. I think what I like the most was how the middle ages, with the day to day cruelty of pestilence and want, unfolded. Murnau also did some sensational visuals--the apocalyptic visions, the spectre of Satan enshrouding the city, bringing the plague. The character of Faust and his failure to gain love--even though he bargained it away--is very poignant. Faust wants youth but has made a pact. If there is a shortcoming, Faust's debauchery is almost entirely off screen and Mephisto performs all the visible cruelty. The reclamation of the soul needs a little more to pair against. Of course, in many of the Faust presentations, he pays the ultimate price and is not able to repent.
