The year 1936 marks the end of Cary Grant's long apprenticeship. Filmographies differ as to the precise order of the films he released in this period, so this film -- the only one he made in Britain in the '30's -- makes a convenient watershed. Of his films released that year, this one is probably the weakest.
Cary at this point has his mature mannerisms, but he still lacks the sparkle. Moviegoers would have to wait another year. He really comes into his own in 1937 with "The Toast of New York", "Topper", and "The Awful Truth" in particular.
This film's plot follows the conventional Depression formula of a man of affluence temporarily renouncing his wealth in order to become a man of the people, with predictable results.
Cary at this point has his mature mannerisms, but he still lacks the sparkle. Moviegoers would have to wait another year. He really comes into his own in 1937 with "The Toast of New York", "Topper", and "The Awful Truth" in particular.
This film's plot follows the conventional Depression formula of a man of affluence temporarily renouncing his wealth in order to become a man of the people, with predictable results.