Like SANSHIRO SUGATA PART 2, this film was never released in the U.S. for political reasons. There's not any blatantly anti-American content, as in SSP2, but THE MOST BEAUTIFUL, filmed by government request, was a pro-Imperialist propaganda document.
Kurosawa gamely attempts to weave together a story which functions both as propaganda and as a tender coming-of-age story, but isn't entirely successful. This would have been a demanding proposition even for a seasoned pro, let alone a young director like Kurosawa, directing only his second feature.
The story follows a group of young girls working in an armaments factory in the latter days of WWII. The girls must increase production sharply. The girls suffer hardships of all sorts. One, Tao, emerges as the leader of the group. Through the travails of helping her coworkers meet their quotas, Tao learns courage, fortitude and compassion.
If all this sounds a little boring, that's because it is. Kurosawa's visual signatures are seldom seen. At least the performances are good, especially Yoko Yaguchi as Tao. Takashi Shimura has a thankless, do-nothing role as the foreman of the factory.
Kurosawa gamely attempts to weave together a story which functions both as propaganda and as a tender coming-of-age story, but isn't entirely successful. This would have been a demanding proposition even for a seasoned pro, let alone a young director like Kurosawa, directing only his second feature.
The story follows a group of young girls working in an armaments factory in the latter days of WWII. The girls must increase production sharply. The girls suffer hardships of all sorts. One, Tao, emerges as the leader of the group. Through the travails of helping her coworkers meet their quotas, Tao learns courage, fortitude and compassion.
If all this sounds a little boring, that's because it is. Kurosawa's visual signatures are seldom seen. At least the performances are good, especially Yoko Yaguchi as Tao. Takashi Shimura has a thankless, do-nothing role as the foreman of the factory.