The glorious voice of Wagnerian Tenor Lauritz Melchoir adorns this formulistic film, crafted by MGM staff writers.
After dominating the Met and international operatic stages along with colleague Soprano Helen Traubel, Melchoir along with Traubel and Ezio Pinza signed MGM contracts. The three appeared in light musicals for this studio, singing arias, light ballads and specialty numbers, which were incorporated into the plotlines.
Here Melchoir's role is quite gratuitous, yet all is forgotten when he opens his mouth and sings several varied selections.
His voice rings out like a bell, and he possesses a welcome warmth and humor in his screen presence. Joined by studio regulars Esther Williams, Van Johnson, and Bandleader Tommy Dorsey, Melchoir manages to punctuate the slightly sub-par plot with charm.
It's as though the project was cast first, then writers were called upon to write for each personality. While the proceedings may be a bit routine, the music, color and trappings are quite enjoyable, and a pleasant reminder of a gentle era of movie making.
After dominating the Met and international operatic stages along with colleague Soprano Helen Traubel, Melchoir along with Traubel and Ezio Pinza signed MGM contracts. The three appeared in light musicals for this studio, singing arias, light ballads and specialty numbers, which were incorporated into the plotlines.
Here Melchoir's role is quite gratuitous, yet all is forgotten when he opens his mouth and sings several varied selections.
His voice rings out like a bell, and he possesses a welcome warmth and humor in his screen presence. Joined by studio regulars Esther Williams, Van Johnson, and Bandleader Tommy Dorsey, Melchoir manages to punctuate the slightly sub-par plot with charm.
It's as though the project was cast first, then writers were called upon to write for each personality. While the proceedings may be a bit routine, the music, color and trappings are quite enjoyable, and a pleasant reminder of a gentle era of movie making.