Just one, before our aging outlaw's final retirement and start of a new life.
But there are complications--crafty colleagues, traitor accomplices and--women.
One woman turns out to be helpful, the other merely selfish. But that's just the start of our antihero's problems.
It's a Raoul Walsh film, and by golly, if any director knew how to make a movie move, it's Walsh. Made the same year as his classic, "White Heat," this western also ends with an "On Top o' the World" finale.
Joel McCrea is an intriguing actor. A sort of neutral entity that could be cast in any kind of role and come off looking and sounding natural and acceptable. No one ever especially went to see, nor stayed away from a picture because of him. He was just there, always doing a dependable job. And what an array of fine directors used him.
Likewise, Virginia Mayo is a solid pro, and this role allows her more opportunity than merely being decorative. Her character work is most convincing.
Taking what could have been a routine script, Walsh turns it into a picture that, once one starts watching, one cannot stop till the end. It moves, surprises and stimulates.
Some directors just have it, and Walsh is clearly strutting his stuff in "Colorado Territory."
But there are complications--crafty colleagues, traitor accomplices and--women.
One woman turns out to be helpful, the other merely selfish. But that's just the start of our antihero's problems.
It's a Raoul Walsh film, and by golly, if any director knew how to make a movie move, it's Walsh. Made the same year as his classic, "White Heat," this western also ends with an "On Top o' the World" finale.
Joel McCrea is an intriguing actor. A sort of neutral entity that could be cast in any kind of role and come off looking and sounding natural and acceptable. No one ever especially went to see, nor stayed away from a picture because of him. He was just there, always doing a dependable job. And what an array of fine directors used him.
Likewise, Virginia Mayo is a solid pro, and this role allows her more opportunity than merely being decorative. Her character work is most convincing.
Taking what could have been a routine script, Walsh turns it into a picture that, once one starts watching, one cannot stop till the end. It moves, surprises and stimulates.
Some directors just have it, and Walsh is clearly strutting his stuff in "Colorado Territory."