"Cause for Alarm" isn't a great film but it captures the noir cinematic scene of the postwar period fairly well. Loretta Young's frenetic pursuit through hot suburban California streets to retrieve a dangerous missive is well done. Is anyone really convincing in a story of a WWII pilot working in the insurance industry and detouring into paranoia while stricken with a cardiac condition? Nah, probably not. But the movie is a nice visit back to the fifties.
Early in the film Loretta Young walks out to her driveway and encounters - a celluloid ME. Attired in the exact same garb I wore in '51, a black cowboy outfit with two six(cap)-guns and riding a trusty trike, a not particularly adept child actor passes himself off as the one-and-only Hopalong Cassidy (as we grew older he became "Hopalong Catastrophe" but in the early fifties he was our unsullied hero). This kid even has the same toy I remember treasuring.
All that nostalgia aside, this short film is diverting albeit not the finest example of noir cinema. Loretta Young was as beautiful as she was talented. Barry Sullivan is appropriately nuts and most of the rest of the cast give dependable color to their roles.
This film definitely belongs in any noir retrospective.
Early in the film Loretta Young walks out to her driveway and encounters - a celluloid ME. Attired in the exact same garb I wore in '51, a black cowboy outfit with two six(cap)-guns and riding a trusty trike, a not particularly adept child actor passes himself off as the one-and-only Hopalong Cassidy (as we grew older he became "Hopalong Catastrophe" but in the early fifties he was our unsullied hero). This kid even has the same toy I remember treasuring.
All that nostalgia aside, this short film is diverting albeit not the finest example of noir cinema. Loretta Young was as beautiful as she was talented. Barry Sullivan is appropriately nuts and most of the rest of the cast give dependable color to their roles.
This film definitely belongs in any noir retrospective.