I'm sure it's all been done before, but if you are a Bette Davis fan like me, then you know that few do it better. A lovely-haired Davis and then-husband Gary Merrill play off of each other alternately uninterestingly or with fireworks, all in the same film. Merrill's performance is pretty uneven. I can't say I've seen too much of his work, but he's usually better than he is here, given the fact that his character is betrayed-angry-man-done-wrong. Here his performance lacks energy.
The double-crosses come thick and fast in this one, so the viewer must pay attention to the (sometimes quite good) dialog, or confusion may strike.
The other couple in the film, Larry and Chris (Anthony Steel and Barbara Murray) are bland to say the least. Steel is given more to do than Murray, and gives a semi-convincing performance as Bette's toy boy, but the character (as well as Murray's) is underwritten. The film is definitely a Davis vehicle, and she runs with the ball like the pro she is. Murray's lot is mostly stuck in reaction mode, but she does OK with what she has.
Goofy-looking Emlyn Williams plays pesty-neighbor-from-hell Dr. Henderson decently, and looks as though he is having a ball doing so. The Mr. Bigley character, representing, I suppose, a colorful local type, comes across as dense and reprehensible. What were the writers thinking there, I wonder.
The plot takes elements from various scenarios that we've all seen, and the result is not extremely coherent, yet very entertaining. The directing is great, with some wonderful shots. I enjoyed the film throughout.
I especially like the ending, and its retribution as Davis' character says (something along the lines of): `thanks, I hadn't thought of that idea, but it'll work out fine.' Oh, the irony.
Bottom line: its strengths overcome its weaknesses there are much worse ways to spend an hour and a half.
The double-crosses come thick and fast in this one, so the viewer must pay attention to the (sometimes quite good) dialog, or confusion may strike.
The other couple in the film, Larry and Chris (Anthony Steel and Barbara Murray) are bland to say the least. Steel is given more to do than Murray, and gives a semi-convincing performance as Bette's toy boy, but the character (as well as Murray's) is underwritten. The film is definitely a Davis vehicle, and she runs with the ball like the pro she is. Murray's lot is mostly stuck in reaction mode, but she does OK with what she has.
Goofy-looking Emlyn Williams plays pesty-neighbor-from-hell Dr. Henderson decently, and looks as though he is having a ball doing so. The Mr. Bigley character, representing, I suppose, a colorful local type, comes across as dense and reprehensible. What were the writers thinking there, I wonder.
The plot takes elements from various scenarios that we've all seen, and the result is not extremely coherent, yet very entertaining. The directing is great, with some wonderful shots. I enjoyed the film throughout.
I especially like the ending, and its retribution as Davis' character says (something along the lines of): `thanks, I hadn't thought of that idea, but it'll work out fine.' Oh, the irony.
Bottom line: its strengths overcome its weaknesses there are much worse ways to spend an hour and a half.