One of the missed opportunities of the era was to have Debbie Reynolds and Dick Powell paired in this very funny and perceptive romantic comedy, but not to make it a musical. That would have given it just that bit of an edge to make it different to hundreds of other movies being churned out with similar plotlines.
However, what we have is Reynolds as a teenage delinquent foisted on the well-meaning Powell, a writer, at Christmas. He wants inspiration for his writing, she wants a sugar daddy. Guess how this one ends up?
One thing I did especially like were the dream sequences, involving cages and spiders and all kinds of things, in lurid pinks. Where was Tashlin's mind going here? Fun stuff throughout, however, with a sparkling performance from Reynolds.
However, what we have is Reynolds as a teenage delinquent foisted on the well-meaning Powell, a writer, at Christmas. He wants inspiration for his writing, she wants a sugar daddy. Guess how this one ends up?
One thing I did especially like were the dream sequences, involving cages and spiders and all kinds of things, in lurid pinks. Where was Tashlin's mind going here? Fun stuff throughout, however, with a sparkling performance from Reynolds.