Frank Lloyd's career stretched back to the silent era--he was a major director and made films for the top studios in Hollywood. Winding up at a B studio like Republic would seem to be a step down the career ladder, but this film is actually one of Lloyd's best and one of the best to ever come out of Republic.
The studio didn't often get the services of directors of the calibre of Frank Lloyd--although John Ford and Fritz Lang had occasionally made films there--and it spared no expense on this one. The subject matter demanded a big budget, and Republic didn't stint. Thousands of extras, big sets, spectacular action scenes, robust performances--all combined to make a first-rate action picture. Sterling Hayden makes a good Jim Bowie, the always underrated Arthur Hunnicutt personifies Davy Crockett, and the cast is filled with familiar character actors--Roy Roberts, Slim Pickens, John Russell, Jim Davis--who contribute much to the overall atmosphere of the film. The setpiece of the movie, though, is the final siege of the Alamo itself, and it is spectacular. It compares well to the John Wayne version made five years later, and ranks right up there with the final battle scene in 1964's "Zulu"--expertly edited with top-notch stunt-work and special effects. Very highly recommended.
The studio didn't often get the services of directors of the calibre of Frank Lloyd--although John Ford and Fritz Lang had occasionally made films there--and it spared no expense on this one. The subject matter demanded a big budget, and Republic didn't stint. Thousands of extras, big sets, spectacular action scenes, robust performances--all combined to make a first-rate action picture. Sterling Hayden makes a good Jim Bowie, the always underrated Arthur Hunnicutt personifies Davy Crockett, and the cast is filled with familiar character actors--Roy Roberts, Slim Pickens, John Russell, Jim Davis--who contribute much to the overall atmosphere of the film. The setpiece of the movie, though, is the final siege of the Alamo itself, and it is spectacular. It compares well to the John Wayne version made five years later, and ranks right up there with the final battle scene in 1964's "Zulu"--expertly edited with top-notch stunt-work and special effects. Very highly recommended.