What can you possibly say about a film that a) portrays homosexuality as evil and even diabolic and that b) was made by the infamous Veit Harlan, director of nazi-propaganda-films like "Jud Süß" and "Kolberg"? Well, it's surprisingly quite entertaining, despite (or because of) its reactionary message. An extremely simple plot, melodramatic twists, great villains and a great score and a guest appearance by Oskar Sala (...Hitchcock's "Birds", anyone?) provides you with the viewing pleasure you have the right to ask for. This is true document of German "Spießertum" (look it up in your German dictionary) ... :)