"North by Northwest" is my favorite of all Hitchcock films (a close shave with "Rear Window"), and it permanently occupies a slot in my Personal Top Ten Films of All Time.
Grant is terrific--funny, sexy, angry, confused, exhausted, redeemed. It is a full-bodied performance. And speaking of bodies--Eva Marie Saint is *definitely* an asset here, not just for her looks (there's that cool, blond Hitch femme fatale again) but for showing off her acting chops as well.
James Mason is a consumate actor, and Hitch gives him a vehicle to enter one of his finest performances. Martin Landau, too, is appropriately chilling.
Favorite scenes? The crop-dusting sequence is certainly a classic. But I love the scenes with Roger and his mother, dickering over his "drunkenness." And the auction is Hitch in his element: the scene plays tense and terse but also funny.
I can quibble with this film: The blue-screening looks a bit cheesy nowadays. And the movie opens with a huge plot hole (when the page is searching for George Kaplan and Thornhill grabs his ear for a quick question, Mason et.al. believe Thornhill to be their man, setting off the entire plot. However, shouldn't the page have continued searching the room, calling for Mr. Kaplan? And shouldn't the villains have heard him continue to page, knowing that Thornhill wasn't who they assumed he was? Ahh, but that would blow the whole movie!).
This film also contains the best "naughty joke" Hitchcock ever devised. The final sequence is Eva Marie Saint and Grant pulling each other into bed. The jump cut is to a train entering a tunnel. You figure it out.
Grant is terrific--funny, sexy, angry, confused, exhausted, redeemed. It is a full-bodied performance. And speaking of bodies--Eva Marie Saint is *definitely* an asset here, not just for her looks (there's that cool, blond Hitch femme fatale again) but for showing off her acting chops as well.
James Mason is a consumate actor, and Hitch gives him a vehicle to enter one of his finest performances. Martin Landau, too, is appropriately chilling.
Favorite scenes? The crop-dusting sequence is certainly a classic. But I love the scenes with Roger and his mother, dickering over his "drunkenness." And the auction is Hitch in his element: the scene plays tense and terse but also funny.
I can quibble with this film: The blue-screening looks a bit cheesy nowadays. And the movie opens with a huge plot hole (when the page is searching for George Kaplan and Thornhill grabs his ear for a quick question, Mason et.al. believe Thornhill to be their man, setting off the entire plot. However, shouldn't the page have continued searching the room, calling for Mr. Kaplan? And shouldn't the villains have heard him continue to page, knowing that Thornhill wasn't who they assumed he was? Ahh, but that would blow the whole movie!).
This film also contains the best "naughty joke" Hitchcock ever devised. The final sequence is Eva Marie Saint and Grant pulling each other into bed. The jump cut is to a train entering a tunnel. You figure it out.