The contrast with Olivier's version was stunning to viewers: a non-bombastic thoughtful Hamlet with none of the perverse undertones of Olivier's Prince of Denmark. Honest indecision oozed from this Hamlet. Further the text was less butchered than in Olivier's movie; here we at least get to see Rozenkrantz and Guildenstern. [Footnote: I am frequently surprised at people who will rave over Olivier's Hamlet and fail to notice the severely edited script.]
Review of Hamlet at Elsinore
