It was 1970. Julie Andrews had hit her highs onscreen, and her star was starting to fade, at least in the public's eye. "Lili" represented another opportunity for Julie to change her image, coming right after the megamusical "STAR!" which didn't deserve the drubbing *it* received either.
Audiences didn't seem to care for this WWI musical drama. In fact, they were staying away in droves from ANY musical--drama or not.
The shame of it all is that this film, with its many classic moments, was stigmatized by the press who were gunning for Our Fair Julie and her new beau, writer/director/producer Blake Edwards.
But "Lili" really *is* worth seeking out. Julie sings beautifully, especially the haunting "Whistling Away the Dark," a lovely Henri Mancini tune that opens and closes the film. Her performance is nuanced and quite affecting--just watch her as a fat tear silently slides down her cheek after a tumultuous argument with Major Larabee.
Edwards has staged some stunning flight sequences, but the suffer somewhat, in 1990s sensibilities, from the blue-screen process shots needed to get Rock "into" midair. Edwards also can't seem to help himself from sliding into formulaic comedy bits (he apparently thinks a bumbling Frenchman with an umbrella on a roof in a rainstorm is hilarious--it shows up in film after film of his).
The reason to watch "Lili" is for its interesting spin on the Mata Hari legend and the performance of Miss Andrews, who certainly didn't deserve the brickbats that came her way following its release.
Audiences didn't seem to care for this WWI musical drama. In fact, they were staying away in droves from ANY musical--drama or not.
The shame of it all is that this film, with its many classic moments, was stigmatized by the press who were gunning for Our Fair Julie and her new beau, writer/director/producer Blake Edwards.
But "Lili" really *is* worth seeking out. Julie sings beautifully, especially the haunting "Whistling Away the Dark," a lovely Henri Mancini tune that opens and closes the film. Her performance is nuanced and quite affecting--just watch her as a fat tear silently slides down her cheek after a tumultuous argument with Major Larabee.
Edwards has staged some stunning flight sequences, but the suffer somewhat, in 1990s sensibilities, from the blue-screen process shots needed to get Rock "into" midair. Edwards also can't seem to help himself from sliding into formulaic comedy bits (he apparently thinks a bumbling Frenchman with an umbrella on a roof in a rainstorm is hilarious--it shows up in film after film of his).
The reason to watch "Lili" is for its interesting spin on the Mata Hari legend and the performance of Miss Andrews, who certainly didn't deserve the brickbats that came her way following its release.