This brilliant interpretation of the stage play can best be described as Busby Berkeley on psychedelics. The concept of turning over this material to the visual madman, Ken Russell, was inspired, as was casting supermodel Twiggy in the lead role (who would have ever guessed she could embody the "sweet song and dance ingenue" so magnificently!).
Mr. Russell has delivered an outrageous homage to English song-and-dance theatre, as well as American movie musicals of the 30's and 40's, all bundled up snugly in one gem of a fall-down funny flick.
Everything is right on the money in this film, from the directing, to the brilliant cinematography, to the musical presentation of those beloved "old standards", to the eye-popping candy costumes and sets. What impresses me the most, however, is the supporting cast. Each actor turns in a such a flawless performance, it results in every subplot becoming just as integral, and interesting, as the main plot. Thus you become a willing captive for 2 hours and 17 minutes for this dizzying magic carpet ride. And, as a bonus, it's "feel good" without being schmaltzy!
Wonderful!
Mr. Russell has delivered an outrageous homage to English song-and-dance theatre, as well as American movie musicals of the 30's and 40's, all bundled up snugly in one gem of a fall-down funny flick.
Everything is right on the money in this film, from the directing, to the brilliant cinematography, to the musical presentation of those beloved "old standards", to the eye-popping candy costumes and sets. What impresses me the most, however, is the supporting cast. Each actor turns in a such a flawless performance, it results in every subplot becoming just as integral, and interesting, as the main plot. Thus you become a willing captive for 2 hours and 17 minutes for this dizzying magic carpet ride. And, as a bonus, it's "feel good" without being schmaltzy!
Wonderful!