Right from the start, I wish to say that this is a wonderful film. I caught it on cable television here in Tokyo several years back. Like so many others remarked in their own circumstances, the film just "accidentally" presented itself. Willing to give it a chance, I kept it on for a few minutes. When I heard Michael Jayston's comically sarcastic comments in the opening scene, and the magical Topol "hiding" in his office, I was certainly hooked.
Hal Wallis produced, Carol Reed directed. If that weren't good enough for most film buffs, add John Barry to the list of those involved in this gem of a film. That's right, the same Barry who scored all of the great Bond films. You can hear his signature strings and brass right from the panoramic opening title sequence of London from the air.
"Everything's got to be earned."
The story is laid out as an explanation, a highlighting of the history of a couple to a private eye hired to investigate an alleged infidelity. Very cleverly done.
"Who's Aldous Huxley?"
The film touches on those precious difficulties couples face when both partners stem from different backgrounds. As an American living here in Tokyo for many years, I can deeply empathize with the situation portrayed in the film.
"I don't much care for Tuesdays."
Mia Farrow is captivating as the young American living in London. Michael Jayston is marvelous as the upright British accountant. As the "Public Eye", Topol is as addictive to the viewer as his character is to macaroons.
"He who locks his door locks his heart."
London is featured in all its bygone glory. I was impressed with the raw freshness of the street scenes. These are slightly reminiscent of the work of Richard Lester and his "mod" style of filming actual Londoners in action, such as in "The Knack" or "Help". Here, Barry's scoring of "The Public Eye" made these whimsical scenes a pure treat. Nothing less than soul moving cinematic moments are in store for you.
There is a charming, nice touch thrown in: a tip of the hat to Peter Cushing and Christopher Lee and their work in Hammer Films.
I understand it is difficult to get a copy of this film. The fact that it was shown on Japanese television at least, means that good prints exist and are out there. Luckily, I was able to record it when it was shown again in that same week.
"The Public Eye" or as it is also known, "Follow Me", is a truly marvelous film. See it.
Addendum: A little bird told me the above version, recorded from Japanese TV, is online at Google Video.
Hal Wallis produced, Carol Reed directed. If that weren't good enough for most film buffs, add John Barry to the list of those involved in this gem of a film. That's right, the same Barry who scored all of the great Bond films. You can hear his signature strings and brass right from the panoramic opening title sequence of London from the air.
"Everything's got to be earned."
The story is laid out as an explanation, a highlighting of the history of a couple to a private eye hired to investigate an alleged infidelity. Very cleverly done.
"Who's Aldous Huxley?"
The film touches on those precious difficulties couples face when both partners stem from different backgrounds. As an American living here in Tokyo for many years, I can deeply empathize with the situation portrayed in the film.
"I don't much care for Tuesdays."
Mia Farrow is captivating as the young American living in London. Michael Jayston is marvelous as the upright British accountant. As the "Public Eye", Topol is as addictive to the viewer as his character is to macaroons.
"He who locks his door locks his heart."
London is featured in all its bygone glory. I was impressed with the raw freshness of the street scenes. These are slightly reminiscent of the work of Richard Lester and his "mod" style of filming actual Londoners in action, such as in "The Knack" or "Help". Here, Barry's scoring of "The Public Eye" made these whimsical scenes a pure treat. Nothing less than soul moving cinematic moments are in store for you.
There is a charming, nice touch thrown in: a tip of the hat to Peter Cushing and Christopher Lee and their work in Hammer Films.
I understand it is difficult to get a copy of this film. The fact that it was shown on Japanese television at least, means that good prints exist and are out there. Luckily, I was able to record it when it was shown again in that same week.
"The Public Eye" or as it is also known, "Follow Me", is a truly marvelous film. See it.
Addendum: A little bird told me the above version, recorded from Japanese TV, is online at Google Video.