This relatively obscure film is, it has to be said, under-rated. There's the usual fine performance from Max von Sydow as the 'Baron' while an old-looking Yul Brynner does well as Carson, the Ultimate Warrior.
The future looks bleak. In 2012 New York is a city devastated, with rival gangs living in communes. By appearance alone, you might be forgiven for thinking that this is a western - with von Sydow, particularly, looking like he's going to burst into a saloon bar, guns blazing. He plays the leader of one of these communes, desperate to secure a better life for his pregnant daughter Melinda (Miles) and enlists Brynner to this end.
Clouse manages to build up the tension nicely as Brynner & Miles race along the derelict New York subway to get to a fabled island, chased by a gang of nasties. The end, however, is abrupt, to say the least and you may feel cheated as about ten minutes before the end the movie seems actually quite good.
As I said before, this is an obscure film that will have a definite novelty value for fans of Sydow and Brynner. Viewers today will see the irony in the opening sequence of a supposedly devastated NY, with the Twin Towers promenantly still standing in the background.
7/10
The future looks bleak. In 2012 New York is a city devastated, with rival gangs living in communes. By appearance alone, you might be forgiven for thinking that this is a western - with von Sydow, particularly, looking like he's going to burst into a saloon bar, guns blazing. He plays the leader of one of these communes, desperate to secure a better life for his pregnant daughter Melinda (Miles) and enlists Brynner to this end.
Clouse manages to build up the tension nicely as Brynner & Miles race along the derelict New York subway to get to a fabled island, chased by a gang of nasties. The end, however, is abrupt, to say the least and you may feel cheated as about ten minutes before the end the movie seems actually quite good.
As I said before, this is an obscure film that will have a definite novelty value for fans of Sydow and Brynner. Viewers today will see the irony in the opening sequence of a supposedly devastated NY, with the Twin Towers promenantly still standing in the background.
7/10