This film is not about Eastwood doing the stock 70's Eastwood, it is not about Sandra Locke, or about any other person's performance. The people in this film are lost, both in the social space of a world they cannot live in and in time. They lack most of the usual human equipment, like faith and hope (see Thomas McGuane's 'Panama'). But they blunder on, as much by default as by will, in the illusory world of Bronco Billy's road show and guided by Billy's real values, with each other. Like most of Eastwood's films, Bronco Billy is built around a story, but in this story how it comes out is not important, it is how Billy and this cast of lost souls get there. And the film has one the greatest lines in cinema history: The one Bronco Billy used to tell Antoinette what happened to his wife.