A pleasant trip into Louisiana
24 December 2001
Flawed it may be, but I love this version of the original film. From the opening credits the director uses evocative blues and magnificent ante-bellum mansions to convey the decadent lifestyle, revealing to viewers a privileged, class-driven world. Don Johnson's casting and acting is effective, and it was pleasing to see him trying to extend his range. I particularly like films which show an actor trying to break out of a previous genre or character mould e.g. Robin Williams in 'Dead Poet's Society' or Jim Carrey in 'The Truman Show'. Jason Robard's recent death is saddening, especially when I look at this film and also his remake of 'Inherit the Wind'. Above all, the film appeals to me because it focuses on the desperate if sublimated desire of many females to escape from rigid social expectations dictated by class and education, in order to fulfil their potential. Johnson's role as the catalyst reveals a powerful portrait of an unlikely hero who wins against the odds. Both the music score and the casting of the minor characters (malevolent father and townspeople) help to build the atmosphere. Some might say they were stereotypical, but as a viewer from another country, with little knowledge of Faulkner's original stories, it provides satisfying and refreshing viewing.
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