Neither shameful nor disastrous
15 March 2002
I agree with Roger Ebert's '87 review; this movie is unfocused. Concentrate on the Ann-Margret and young man's relationship with an open mind. The relationship may not be common but if realism were the criterion for excellence in a movie, what (I include "documentaries" and "news footage") would qualify?

This movie is mainly for Ann-Margret fans and those who like a little twist to the confusions of life, at whatever age.
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