Nowhere else is Roeg's filmmaking as elemental and visceral as it is in Track. Black comedy is an inadequate label, for certain. "Models" and their uses and abuses are examined in the film. It is almost as gut wrenching to watch Christopher Llyod being spanked by Sandra Bernhardt as it is to watch Ricky and his mother in <Better Off Dead>. Oldman lends his untamed (yet not quite perfected) style to a film that would be richly sleek even without him.
