4/10
getting hair cut by women with big kn*ck*rs
18 September 2004
Beautiful cinematography does not a good film make.

This film has wonderful cinematography and some really delightful scenes, but it is lacking in drama or any sort of real character archs. The relationship between Antoine and Mathilde is unreal and lacking substance. It's difficult to see what ties these two together at all, except for the way Antoine objectifies and idolizes Mathilde.

The film has a fairy tale quality, especially with the way the film is lit; with Mathilde looking positively heavenly and angelic, but in a hyperreal way. It succeeds in that we truly feel the fascination Antoine feels and the adoration he feels for female hairdressers but without the film moving into any sort of deeper level, the story fails to move the viewer. It stays on a superficial level and, if anything, the character of Antoine seems somewhat despicable, the way he objectifies these hairdressers. I feel the film could've been much more powerful if the director decided to dig deep into his characters' obsessions instead of creating a shallow homage to objectifying hairdressers.

But the cinematography was gorgeous, and the dance sequences were nice.
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