"Entangled" attempted to be a cryptic mystery, but instead achieved "what the heck is going on" status. Punctuated by nudity and sex scenes, one gets the feeling that someone added the "storyline" AFTER they conceived the great idea to film a softcore porn flick.
Characters are thin, motivations are thinner, and you never actually get the full story.
Since there aren't any other comments for this movie, I'll give a brief synopsis: American author wakes up hysterical in the hospital, fully covered in casts and bandages. Flashbacks ensue, and we learn that he has written one previous novel that was killed by the critics, his lover is a french supermodel who is up to something fishy, and he has just finished his second novel, which he eventually enters in a literary contest under temporarily anonymous authorship. Somehow he ends up mangled in the hospital, but how? We spend the rest of the miserable movie wondering not that, but, why do we care?
During the course of the movie, we find out about murder, deception, lust, power plays, double crossings, greed, and betrayal. Sounds interesting, but don't be tricked. It is forced, but worse, completely unlikely and highly contrived; the plot twists are not intriguing, but banal. A murky movie does not a mystery make.
Judd Nelson is completely pretentious and uncharismatic. He appears to have some intellect, but doesn't really lend believability to his lines (did he really understand some of the words he said?). Also, he can play the bandaged, mangled, be-stitched gimp to perfection, but the lover of a supermodel? I don't believe it.
Why did Pierce Brosnan agree to do this movie? I know it was in his pre-007, post-Remington Steele days when he wasn't too hot a commodity, but this was truly an awful script, and his role was farcical.
> Run. Run far away from this movie, before you waste 90 minutes of your precious time getting Entangled.
Characters are thin, motivations are thinner, and you never actually get the full story.
Since there aren't any other comments for this movie, I'll give a brief synopsis: American author wakes up hysterical in the hospital, fully covered in casts and bandages. Flashbacks ensue, and we learn that he has written one previous novel that was killed by the critics, his lover is a french supermodel who is up to something fishy, and he has just finished his second novel, which he eventually enters in a literary contest under temporarily anonymous authorship. Somehow he ends up mangled in the hospital, but how? We spend the rest of the miserable movie wondering not that, but, why do we care?
During the course of the movie, we find out about murder, deception, lust, power plays, double crossings, greed, and betrayal. Sounds interesting, but don't be tricked. It is forced, but worse, completely unlikely and highly contrived; the plot twists are not intriguing, but banal. A murky movie does not a mystery make.
Judd Nelson is completely pretentious and uncharismatic. He appears to have some intellect, but doesn't really lend believability to his lines (did he really understand some of the words he said?). Also, he can play the bandaged, mangled, be-stitched gimp to perfection, but the lover of a supermodel? I don't believe it.
Why did Pierce Brosnan agree to do this movie? I know it was in his pre-007, post-Remington Steele days when he wasn't too hot a commodity, but this was truly an awful script, and his role was farcical.
> Run. Run far away from this movie, before you waste 90 minutes of your precious time getting Entangled.