I certainly disagree with the commentary that calls this movie plotless. I agree that it's slow, but what's wrong with slow? Roger Ebert put the movie down by calling it 'Buddhist Sunday School.' True, the Buddha parts are simplistic, but then so is the original Buddha story. Slow, thoughtful, peaceful, subtly stimulating, and with a plot to end all plots-- the one-ness of all individuality. I much prefer this to the more recent Kundun, which tries to tell essentially the same story. In fact, Scorsese rips this movie off dreadfully, even to the same wiping out of the sand pattern at the end.