Writer-director Erick Zonca's debut film certainly is a bold attempt with no apology to the subjects at hand. He succeeded in delivering the many facets of living and loving -- essentially surviving life's difficulties and juxtaposing how one, with persistence, can come through it all vs. the flip side of a helpless condition -- a suicidal person in one's own entrapment.
Isa is the embodiment of tenacity and hope eternal, while Marie is depressive non self-loving personified. Isa's goal in life is to appreciate living, however modest, and her willingness to help others, to share a little happiness keeps her going in spite of all odds. Marie, on the other hand, is the extreme opposite: she has no love for anything or anyone -- she hates herself, her mother, her family, her life -- her low self-esteem alienated herself and the people around her who really care for her. A delusional cocoon she's wrapped herself in, and when it breaks, it crumbles to a point of no return. It's depressing to see her development, or rather, non-development, while it's uplifting to see Isa balancing the harsh realities of life.
Due credits to the two main leading ladies, Elodie Bouchez as Isa and Natacha Regnier as Marie. Bouchez really shines: her smile, her candidness, her enthusiasm in living exudes on her face! Self-esteem is an important element and that is what character Marie very much is lacking. Emotionally unbalanced with violent reactions, she does not know what to do with herself or what she wants -- aimlessly she seeks for affection mistaken as lovingness; she's numb and unreachable. She took Isa's friendship for granted while Isa tries her utmost to 'save' Marie from falling into a helpless self-pitiful state.
Miracles do happen. Tenacity does reward. Tragedy is by fate destined. Marie asked, "what if the other person refuses," and Isa said, "you move on". We are fortunate to be able to learn with Isa, smile and laugh with her, explore and read the diary book, visit Sandrine at the hospital, talk to Sandrine, touch her, and hope and pray with her. There is strength in Isa's brilliant smiling face -- gentleness and human spirit she truly stands for. She is an angel, a godsend!
This is NFE (not for everyone): there are explicit intimate scenes and the behavior displayed by character Marie is not encouraged, thus mature audience consumption only. It's in French. Pacing is relatively tight compared to most French films.
Anne Fontaine's "Dry Cleaning" is another French film subtly interweaved the depiction of a young man who has depressive suicidal bent without being evident. It describes a couple, Miou-Miou's character Nicole, a discontented wife married 15 years to a Dry Cleaning business owner, Jean-Marie (portrayed by Charles Berling), leading a rather uneventful life in this small suburban town, when one day, Loic the young man (sensitively portrayed by Stanislas Merhar) entered their lives, home and stirred emotional havoc. Good performances in spite of the lull steady pace. For mature and patient audience. Another NFE.
Isa is the embodiment of tenacity and hope eternal, while Marie is depressive non self-loving personified. Isa's goal in life is to appreciate living, however modest, and her willingness to help others, to share a little happiness keeps her going in spite of all odds. Marie, on the other hand, is the extreme opposite: she has no love for anything or anyone -- she hates herself, her mother, her family, her life -- her low self-esteem alienated herself and the people around her who really care for her. A delusional cocoon she's wrapped herself in, and when it breaks, it crumbles to a point of no return. It's depressing to see her development, or rather, non-development, while it's uplifting to see Isa balancing the harsh realities of life.
Due credits to the two main leading ladies, Elodie Bouchez as Isa and Natacha Regnier as Marie. Bouchez really shines: her smile, her candidness, her enthusiasm in living exudes on her face! Self-esteem is an important element and that is what character Marie very much is lacking. Emotionally unbalanced with violent reactions, she does not know what to do with herself or what she wants -- aimlessly she seeks for affection mistaken as lovingness; she's numb and unreachable. She took Isa's friendship for granted while Isa tries her utmost to 'save' Marie from falling into a helpless self-pitiful state.
Miracles do happen. Tenacity does reward. Tragedy is by fate destined. Marie asked, "what if the other person refuses," and Isa said, "you move on". We are fortunate to be able to learn with Isa, smile and laugh with her, explore and read the diary book, visit Sandrine at the hospital, talk to Sandrine, touch her, and hope and pray with her. There is strength in Isa's brilliant smiling face -- gentleness and human spirit she truly stands for. She is an angel, a godsend!
This is NFE (not for everyone): there are explicit intimate scenes and the behavior displayed by character Marie is not encouraged, thus mature audience consumption only. It's in French. Pacing is relatively tight compared to most French films.
Anne Fontaine's "Dry Cleaning" is another French film subtly interweaved the depiction of a young man who has depressive suicidal bent without being evident. It describes a couple, Miou-Miou's character Nicole, a discontented wife married 15 years to a Dry Cleaning business owner, Jean-Marie (portrayed by Charles Berling), leading a rather uneventful life in this small suburban town, when one day, Loic the young man (sensitively portrayed by Stanislas Merhar) entered their lives, home and stirred emotional havoc. Good performances in spite of the lull steady pace. For mature and patient audience. Another NFE.