Watching Clea DuVall and Melissa Painter talk about how much time and effort it's taken to get this story onto the screen, and having seen the result, it's hard to believe that nobody will see this film.
Painter shoots around the Bay Area with beautiful results, and cuts the scenes together in a way charming to anyone who liked The Limey or The Thin Red Line. With only 22 days of shooting and no rehearsal with the few other characters, DuVall shoulders the film and carries it brilliantly. If nothing else, this film will serve as a strong calling card for both of its principals. They'll both be heard from again and again.
Painter shoots around the Bay Area with beautiful results, and cuts the scenes together in a way charming to anyone who liked The Limey or The Thin Red Line. With only 22 days of shooting and no rehearsal with the few other characters, DuVall shoulders the film and carries it brilliantly. If nothing else, this film will serve as a strong calling card for both of its principals. They'll both be heard from again and again.