One of the better biographical TV movies, "The Three Stooges" suffers from the main failing that most such movies do: taking "liberties" with the facts. There are few things more annoying than watching a movie about people you know something about, and seeing an incident or event portrayed as having occurred that you KNOW never happened, or information given as "fact" when you KNOW it is completely wrong, and that happens several times in this film. Overall, though, it was somewhat better than I expected it to be. Paul Ben-Victor was very, very good as Moe. He had Moe's "Stooge" character down pat, and was surprisingly effective with Moe's off-screen character, although he didn't play Moe as quite the savvy businessman he was in real life--most of the Stooges' real money was made in personal appearances, and Moe made certain that some of Larry's and Curly's income was invested for their future, as they were both notoriously loose with their money (Curly on women, Larry on horses). Although the film for some reason shows Moe as living a sort of lower-middle class existence after his career ended, in reality he had made some shrewd investments over the years and by the time the Stooges broke up, he was a very wealthy man.
Michael Chiklis had the most difficult job--Curly has always been everyone's favorite Stooge, and most viewers would be paying a lot more attention to how he played Curly than how the other two actors played their characters. To Chiklis' credit, he acquitted himself extremely well. Curly, like his fellow comics Lou Costello and Oliver Hardy, was quite graceful for a heavyset man--they'd have to be, to do the kind of physical comedy they did--and Chiklis shared that trait, too. He also had Curly's mannerisms and voice patterns down pat, although his voice wasn't quite as high-pitched as Curly's was. Overall, Chiklis did a terrific job.
The one thing that really did surprise me, though, was how badly Columbia Pictures, and especially studio owner Harry Cohn, came across--and deservedly so, given the studio's shabby treatment of the Stooges and how it screwed them out of untold amounts of money. I figured that the filmmakers would pretty much whitewash, or at best just gloss over, Columbia's almost criminal treatment of the comedy team that basically put the studio on the map, but they didn't do that at all, which was refreshing.
If you're a Stooges fan you'll definitely like this movie, and even if you're not, it's a pretty good story of one of the most beloved comedy teams in film history. Check it out.
Michael Chiklis had the most difficult job--Curly has always been everyone's favorite Stooge, and most viewers would be paying a lot more attention to how he played Curly than how the other two actors played their characters. To Chiklis' credit, he acquitted himself extremely well. Curly, like his fellow comics Lou Costello and Oliver Hardy, was quite graceful for a heavyset man--they'd have to be, to do the kind of physical comedy they did--and Chiklis shared that trait, too. He also had Curly's mannerisms and voice patterns down pat, although his voice wasn't quite as high-pitched as Curly's was. Overall, Chiklis did a terrific job.
The one thing that really did surprise me, though, was how badly Columbia Pictures, and especially studio owner Harry Cohn, came across--and deservedly so, given the studio's shabby treatment of the Stooges and how it screwed them out of untold amounts of money. I figured that the filmmakers would pretty much whitewash, or at best just gloss over, Columbia's almost criminal treatment of the comedy team that basically put the studio on the map, but they didn't do that at all, which was refreshing.
If you're a Stooges fan you'll definitely like this movie, and even if you're not, it's a pretty good story of one of the most beloved comedy teams in film history. Check it out.