*****THIS REVIEW MAY HAVE SPOILERS - but that determination would be negligible in such a classic and well-known story*****
The CINDERELLA story ranks as my favorite fairy tale. The world will never have enough of this wonderful tale.
The problem is that everyone wants to tell their own version of the tale. This cannot work if the story deviates or attempts to throw some interesting ideas together with some magical photography and scrumptious looking production designs with poor direction and editing.
This Cinderella story is more like an Ugly Duckling that never hatches or rather, is never transformed into a swan.
All the production value that money can buy, cannot purchase good cinematic timing and dramatic development - or good acting.
The entrance of Cinderella at the ball as so poorly done, there was no drama of anticipation nor excitement of discovery.
The writing made me very nervous, too. The Prince Charming was the most undesirable of memory. Why would any girl want to marry a boorish, self-absorbed prince who disliked women?
Turner's turn on the Stepmother role was an embarrassingly painful showing that demonstrated one-liners more than acting nuance.
Even the Cinderella part held little interest or sympathy.
Perhaps only one sentence will describe this attempt: So cheaply '90's,
What MUST be mentioned and mentioned in shameful excess is the glorious photography, matte work and production design. It was a pleasure to peruse the landscapes, sets and settings as the story unfolded.
For some Cinderella storytelling, go for two gems:
1) Rodgers and Hammerstein's Cinderella Musical with Lesley Ann Warren. Even with the obvious stagey TV - 60's look to the sets, this is the best version on celluloid - bar none. An all star cast makes every effort to provide the highest entertainment. Engaging, diverting and memorable writing and music. This is the classic.
2) Ever After- this Drew Barrymore gem maintains the historical perspective, alters the story line but not enough to derail the effective development of the salient points of this classic tale. The characters of the principals and of all of the supporting roles were written smartly and acted well.
The CINDERELLA story ranks as my favorite fairy tale. The world will never have enough of this wonderful tale.
The problem is that everyone wants to tell their own version of the tale. This cannot work if the story deviates or attempts to throw some interesting ideas together with some magical photography and scrumptious looking production designs with poor direction and editing.
This Cinderella story is more like an Ugly Duckling that never hatches or rather, is never transformed into a swan.
All the production value that money can buy, cannot purchase good cinematic timing and dramatic development - or good acting.
The entrance of Cinderella at the ball as so poorly done, there was no drama of anticipation nor excitement of discovery.
The writing made me very nervous, too. The Prince Charming was the most undesirable of memory. Why would any girl want to marry a boorish, self-absorbed prince who disliked women?
Turner's turn on the Stepmother role was an embarrassingly painful showing that demonstrated one-liners more than acting nuance.
Even the Cinderella part held little interest or sympathy.
Perhaps only one sentence will describe this attempt: So cheaply '90's,
What MUST be mentioned and mentioned in shameful excess is the glorious photography, matte work and production design. It was a pleasure to peruse the landscapes, sets and settings as the story unfolded.
For some Cinderella storytelling, go for two gems:
1) Rodgers and Hammerstein's Cinderella Musical with Lesley Ann Warren. Even with the obvious stagey TV - 60's look to the sets, this is the best version on celluloid - bar none. An all star cast makes every effort to provide the highest entertainment. Engaging, diverting and memorable writing and music. This is the classic.
2) Ever After- this Drew Barrymore gem maintains the historical perspective, alters the story line but not enough to derail the effective development of the salient points of this classic tale. The characters of the principals and of all of the supporting roles were written smartly and acted well.