Metropolis (2001)
6/10
Spectacular backgrounds to superficial foreground
9 January 2003
Anime is tantalizing. Its differences from its western counterparts are refreshing - the mythical themes, the slow tempo in the development of the story, the frequent focus on poetic moments or small scenes of peripheral importance to the story, and so on. Simply different, yet familiar in essence. One can still relate.

Metropolis is a big anime production with spectacular backgrounds an effects, but the characters and the story they go through can not measure up to that background. The impressive scenery takes over the lead, and keeps it - all through the grand finale.

The elements of the plot are easily recognized from a majority of anime films, especially the character who is unaware of his or her enormous inner potential and great destiny awaiting. Such a character is just about obligatory in anime, and one could elaborate on why. In this film it's a girl robot - of a very special kind - who is unaware of being a robot, and very reluctant to accept it.

There is a love story, a rather childish one, between her and a human boy. Sort of beauty and the beast, or for that matter Romeo and Juliet. Unfortunately, it is not explored at any depth, though it would have made the movie much more interesting at length.

Then there's also the Metropolis concept of a higher and a lower world, references to Dr Strangelove, and what not. A wonderful mixture of mythical and symbolical classics of the west, seen through Japanese eyes. That's all there, in the background. So the lack of foreground, of characterization and its development, is not that crucial.
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