Review of Bad Santa

Bad Santa (2003)
9/10
It took two viewings to really get into it- and really laugh my head off
18 January 2004
The first time I saw Terry Zwigoff's latest effort (co-executive produced by the Coen brothers) Bad Santa, I didn't know whether I was watching a comedy that had astonishingly funny and madcap moments, or if it was a really bad movie. At times the script felt like it was under the penmanship of demented cretins off loan of some low-rent porno company. But there were scenes and moments with good old Billy Bob Thornton that had me laughing uncontrollably, so I decided to see it again recently. Now I understand it- this is a dig-in nails, ribald, hardcore satirical look at one (un-kept is a term used loosely) man in the midst of Americana during Christmas time.

This man is Willie, played by Billy Bob, as something of a loser, low-self esteem, boozing, cursing, and a thief, though only at Christmas time. In a sense he's a modern day pirate without a shave, though with a yearly plan to rob a large store in a given mall he's given a job at with his co-patriot Marcus (Tony Cox, whom you may recall from uproarious bit parts in Friday and Me, Myself, and Irene). In one season, however, he meets a Kid (Brent Kelly), who for some reason looks up to this con-man in a red suit, giving him a place to stay in turn (never asked for) for some advice and help with bullies and self-esteem. On the first viewing of Bad Santa, along with not knowing whether I was seeing a good or bad film, I didn't know whether Billy Bob was pushing the 'rotten-dude' envelope over the top or just right. This may be a problem for most viewers going to see it once and not thinking of seeing it again.

But I think Bad Santa is one of those movies that merits a repeat viewing- you may laugh less or harder at certain jokes and moments of outrageousness, some may fly over your head completely or make you go "eww". Yet I think the brilliant aspect about Bad Santa is it never takes itself a bit too seriously. Even in the denouement, when we are sort of assured things will turn out alright; it's like a denouement on a South Park episode. In fact, that's something that can be said about Bad Santa, is that it feels like a work in the vein of Parker and Stone, but since it's from the director of Ghost World it comes off a little fresher, with an appeal all its own.
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