What can I say about a film from one of the best filmmaker of the last decade in Argentina? The answer is: ALL. Caetano is a master, but in Un oso rojo only shows that he can manage a cinematogrephic language in an easy way, and that he can build an story with only two or three good ideas. Chavez is like Al Pacino, or better, like Beat Kitano: he goal one of the best interpretation of the argentinian history. A must see for thriller fans.
