The good news is that this is easily the best Muppet outing since their "Muppets take Manhattan" movie nearly 18 years ago. Almost every Muppet that made the Muppets popular is there, and even more, the right people (Kermit, Piggy, Gonzo, Fozzie) are all front and center; which may be the first time in recent memory that Fozzie was given equal billing (and intelligence!!) with Kermit - instead of Piggy. Equally interesting is that the original "Muppet Theater" idea of the TV show is there, complete with Statler and Waldorf heckling from the balcony (with some of the best heckling they've had a chance to do in nearly 20 years). This being the case, many of the 90s Muppets such as Clifford amd Data are nowhere to be seen - not even relegated to "cameo" status. However, Pepe the Prawn is around.
Ironically, with a setting from 25 years ago, Frank Oz is no longer doing the voices. With Jim Henson and Richard Hunt dead, this more or less constitutes a complete turnover in Muppeteers. But it looks like they more or less threw caution to the wind, and finally brought the Muppets into the 21st Century. There's a lot of good here, It took me half of the show to realize that Gonzo, Piggy, and Fozzie were voiced by new people; and to that respect they did a fantastic job. This is great: instead of worrying if Frank Oz's (or whomever) Muppets will be able to give a few token lines and then leave, new people took up the mantle and gave great performances. For the most part it works: Scooter is back as is Sam the Eagle and Kermit's nephew Robin, plus Dr. Honeydew and Beaker in top form. Unfortunately, Animal and Rowlf are pushed to the background.
The Story? Oh there's a story?? Who cares? We all know that any story is just an excuse to see the Muppets go crazy. Basically, it's a spoof of "It's a Wonderful Life." There's a few spoofs thrown in, most notable being The Grinch and Moulon Rouge. Some work great, some don't.
Unfortunately, what doesn't work ALMOST killed it. The cameo with Piggy on the set of Scrubbs was funny -she quits the Muppet Show to start her career: an extra as a corpse on the show- but it cements the special to the success or failure of Scrubbs. Then there are the obligatory human cameos and roles. I never was one for them on the TV shows or movies, but here they seemed more forced: the most unforgivable is Whoopi Goldberg as a God-like deity (Goldberg probably feeling like she was typecast) who brings the show to a screeching halt at the end with a boring Guinan-like sermon about self-esteem. Almost as unforgivable is the ending song as the credits rolled, which was uncharacteristically sappy and contrived - fortunately modern devices of stuffing as many commercials as possible allowed it to go mute while the ending was split-screened with a promo. And then there were some things that seemed totally out of line: Pepe says he's got a permit for a topless club (Gonzo hints that he likes the idea), Scooter is cage dancing in a fantasy-scene, and the more bizarre Pepe and Joan Cusack lust scenes. Overall, it relied more on Simpsons-like references and spoof-gags to get through 2 hours than the witty writing of years past.
But, that wasn't enough to wreck it. The Muppets, in my book at least, are back. Now, if they can work on the writing, drop the need to spoof the next-big-thing at every turn, and keep it clean enough for the kids, there will be no stopping them - again.
Ironically, with a setting from 25 years ago, Frank Oz is no longer doing the voices. With Jim Henson and Richard Hunt dead, this more or less constitutes a complete turnover in Muppeteers. But it looks like they more or less threw caution to the wind, and finally brought the Muppets into the 21st Century. There's a lot of good here, It took me half of the show to realize that Gonzo, Piggy, and Fozzie were voiced by new people; and to that respect they did a fantastic job. This is great: instead of worrying if Frank Oz's (or whomever) Muppets will be able to give a few token lines and then leave, new people took up the mantle and gave great performances. For the most part it works: Scooter is back as is Sam the Eagle and Kermit's nephew Robin, plus Dr. Honeydew and Beaker in top form. Unfortunately, Animal and Rowlf are pushed to the background.
The Story? Oh there's a story?? Who cares? We all know that any story is just an excuse to see the Muppets go crazy. Basically, it's a spoof of "It's a Wonderful Life." There's a few spoofs thrown in, most notable being The Grinch and Moulon Rouge. Some work great, some don't.
Unfortunately, what doesn't work ALMOST killed it. The cameo with Piggy on the set of Scrubbs was funny -she quits the Muppet Show to start her career: an extra as a corpse on the show- but it cements the special to the success or failure of Scrubbs. Then there are the obligatory human cameos and roles. I never was one for them on the TV shows or movies, but here they seemed more forced: the most unforgivable is Whoopi Goldberg as a God-like deity (Goldberg probably feeling like she was typecast) who brings the show to a screeching halt at the end with a boring Guinan-like sermon about self-esteem. Almost as unforgivable is the ending song as the credits rolled, which was uncharacteristically sappy and contrived - fortunately modern devices of stuffing as many commercials as possible allowed it to go mute while the ending was split-screened with a promo. And then there were some things that seemed totally out of line: Pepe says he's got a permit for a topless club (Gonzo hints that he likes the idea), Scooter is cage dancing in a fantasy-scene, and the more bizarre Pepe and Joan Cusack lust scenes. Overall, it relied more on Simpsons-like references and spoof-gags to get through 2 hours than the witty writing of years past.
But, that wasn't enough to wreck it. The Muppets, in my book at least, are back. Now, if they can work on the writing, drop the need to spoof the next-big-thing at every turn, and keep it clean enough for the kids, there will be no stopping them - again.