The mind of a genius
13 October 2004
There is much to admire about the twists and turns of the plot of this movie. What makes them so real is the skill of the script in showing that they are the result not of plot contrivance but the mind of a genius at work.

Dempsey is brilliant. At the beginning of the film he is asked by a superior to go over a cop kill crime scene that his resentful colleague Rhinehart had already gone over. As Rhinehart fumes at the captain's lack of confidence in his work, Dempsey notes that the dead cops badge was taken by the killer as a trophy and asks forensic to dust the spot on the ground where the killer would have had to rest his left hand to bend over the body and take the badge with his right. Bingo. Prints of the killer. Rhinehart seethes. Once again Dempsey has shown him up.

Throughout the film he is like that, one step ahead of everyone else. Dempsey plans, anticipates, outwits, gifted with iron self-control and the concentration of a laser. It is rare that one sees genius depicted so well, so without peculiarity and eccentricity.

I am moved by one final scene between Dempsey and his brother. Dempsey gently asks whether his brother Nick hates him. Nick, who is frankly an incompetent failure whose every action reeks of carelessness (Dempsey was shot in the first place because his brother screwed up the bust), confesses his envy. It's not that Dempsey has more than him. It is that Dempsey so clearly deserves it because he is so superior to him in every way leaving him no right whatsoever to feel envy. Just shame at his endless screwups. It was a good scene of how love can be tried by a stark difference in life lots, even when those outcomes are as just as excellence rewarded and incompetence punished.

Another point. Others on this thread have seemed to imply that Rhinehart was motivated by bringing a criminal to justice. Justice had nothing to do with it. As the defense counsel truthfully showed it was Rhinehart's envious hatred of Dempsey that pushed him to create a case where no one else saw one. We saw in the very beginning how the captain openly preferred Dempsey's work to Rhinehart's and we saw that he had good cause to. Dempsey found the shooter's prints that Rhinehart missed.
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