The Scarf (1951)
5/10
Sort of a Noir, Sort of Ludicrous and Awful
4 November 2004
This weird item begins on a turkey farm. The farmer is a philosopher.

The movie is a turkey with pretensions of philosophical wisdom. Every line, virtually, is an epigram, but, though it was made around the same time, this sure ain't no "All About Eve."

The dialogue is like that of a mediocre off-off-Broadway play: full of meaning, full of -- well, something else.

The story is interesting enough. Nice guy framed by friend. Nice guy is, inexplicable at least in the surviving print, son of rich man. Decent men triumph and reveal the guilty party.

Among the other oddities is the casting of Mercedes McCambridge, a fine character actress, as the gorgeous dame. Gorgeous she ain't, though she turns in a game -- no, not gamy -- performance. She was a far better actress than, say, Cleo Moore, but surely someone more convincing was available.

The whole thing is entertaining but annoying. It could have stood on its own, minus the pretension that abounds.
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