The manner in which the film was chronographed was somewhat unique. In real time the main character, Morlar, is comatized by severe head trauma. In fact the movie opens with his attempted murder. The unfolding of events in the ensuing investigation are presented with smooth transitions from flashback to present in order to create a sense of fatalistic inevitability. The director takes a very difficult path to achieve this but I think he pulled it off very effectively. Look for little tricks to smooth out the staccato chronological transitions. Small similarities between outgoing and incoming scenes create a more seamless effect.Also, the sounds of a former scene would linger for a couple of seconds after the transition, further uniting past & present to emphasize the inevitable hopelessness of the inspectors situation. It also serves to demonstrate Morlar's indomitable, fatalistic will.
All the characters are well (and cleverly)cast, particularly Richard Burton as Morlar. VonGreenway's book comments on the intensity of Morlar's character and his riveting gaze. Burton was obviously intimately familiar with the text as his rendition of Morlar is, to say the least, riveting.
The apocryphal elements added by the director, the cataclysmic disasters vastly improve the story's big-screen appeal, even if they were a bit of a departure from the text. The director simplifies the text by only indirectly referring to Morlar's political agenda. To follow the text in this would be setting up an entirely different story and would distract from the immediacy of the peril Morlar represents for the inspector and the psychiatrist.
The "tongue in cheek" manner in which these two meet serves to show a comprehensive understanding of the text, it gives clear notice (to those familiar with the book) the text cannot realistically be followed in every way. "I'm sorry I was expecting a man." the inspector explains his reaction to her. "That's alright, I was expecting an English Inspector." She responds. This, of course, was a reference to the characters as they appeared in the book.
This is a well directed film, making sense of a difficult text in an acceptable time frame. Richard Burton was an excellent choice as Morlar, he has a dominating presence that lends well to the character. These things along with an excellent rendition of a sensational, compelling story make the Medusa Touch one of the best suspense films ever.
All the characters are well (and cleverly)cast, particularly Richard Burton as Morlar. VonGreenway's book comments on the intensity of Morlar's character and his riveting gaze. Burton was obviously intimately familiar with the text as his rendition of Morlar is, to say the least, riveting.
The apocryphal elements added by the director, the cataclysmic disasters vastly improve the story's big-screen appeal, even if they were a bit of a departure from the text. The director simplifies the text by only indirectly referring to Morlar's political agenda. To follow the text in this would be setting up an entirely different story and would distract from the immediacy of the peril Morlar represents for the inspector and the psychiatrist.
The "tongue in cheek" manner in which these two meet serves to show a comprehensive understanding of the text, it gives clear notice (to those familiar with the book) the text cannot realistically be followed in every way. "I'm sorry I was expecting a man." the inspector explains his reaction to her. "That's alright, I was expecting an English Inspector." She responds. This, of course, was a reference to the characters as they appeared in the book.
This is a well directed film, making sense of a difficult text in an acceptable time frame. Richard Burton was an excellent choice as Morlar, he has a dominating presence that lends well to the character. These things along with an excellent rendition of a sensational, compelling story make the Medusa Touch one of the best suspense films ever.