I sincerely hope that many parents and other grownups will share this wonderful, witty musical with their kiddos and kiddo friends. Start them early with quality fare like this, and don't let them develop a prejudice against black & white viewing, or intelligent creations.
It really is a shame that later television CINDERELLAs messed with the script, and particularly that they cut the ball- and banquet-planning scene with the King, Queen, Chef, Tailor and...I forget who else. The King and Queen are such stronger roles here than in the later versions. Actually, all the roles seem stronger here, as directed and played. (I don't mean to bash the later two TV CINDERELLAs, both of which have their good points, and good intentions, but end up falling so short of the original, for all their larger budgets, full color, more ethnically diverse casting--the last a plus in my book. A shame they didn't stick with the many strengths of this original script, and build and embellish from there. It also helps to have a Cinderella with a gorgeous, majestic voice.)
Besides the wit, humor and intelligence of this musical's book, the big, winning ingredient is the basic sense of love and good will, strong but not cloying. A very Hammerstein element, which, for the most part, he wielded deftly throughout his works. There is an unfortunate tendency to screw with that strong ingredient when people try to adapt and "improve" Rodgers & Hammerstein shows. For a particularly heinous example of this, see the ABC TV, Glenn Close SOUTH PACIFIC. Better yet, don't subject yourself to that horrible desecration of a beautiful work. Watch the good stuff, like this original Cinderella.
It really is a shame that later television CINDERELLAs messed with the script, and particularly that they cut the ball- and banquet-planning scene with the King, Queen, Chef, Tailor and...I forget who else. The King and Queen are such stronger roles here than in the later versions. Actually, all the roles seem stronger here, as directed and played. (I don't mean to bash the later two TV CINDERELLAs, both of which have their good points, and good intentions, but end up falling so short of the original, for all their larger budgets, full color, more ethnically diverse casting--the last a plus in my book. A shame they didn't stick with the many strengths of this original script, and build and embellish from there. It also helps to have a Cinderella with a gorgeous, majestic voice.)
Besides the wit, humor and intelligence of this musical's book, the big, winning ingredient is the basic sense of love and good will, strong but not cloying. A very Hammerstein element, which, for the most part, he wielded deftly throughout his works. There is an unfortunate tendency to screw with that strong ingredient when people try to adapt and "improve" Rodgers & Hammerstein shows. For a particularly heinous example of this, see the ABC TV, Glenn Close SOUTH PACIFIC. Better yet, don't subject yourself to that horrible desecration of a beautiful work. Watch the good stuff, like this original Cinderella.