What I love about this film, is the fact that it includes a respectful and loving relationship between a black woman and a white man during the apartheid era of racism here in the United States (before the "Freedom Rides," which occurred not long after).
I admire Robert Wagner and Natalie Wood (especially), as rising young stars in Hollywood, for taking the chance to be in this type of picture at that time in history.
When Susan Kohner's character calls Pearl Bailey a "nigger," Robert Wagner whacks her one but good! And then he educates Miss spoiled brat and much misinformed Kohner, that Pearl is more decent than any of the white people in this movie! And more deserving of love and respect.
And folks, was he right. Bailey's character and performance are the most worthwhile in the film.
Yes, the basic story between Natalie Wood (poor country girl looking to move up in the world by passing Wagner's baby off as rich boy Hamilton's), Robert Wagner (poor confused misunderstood boy with talent for "race" music, but seemingly not much ambition to do anything with it), George Hamilton and Susan Kohner (spoiled RICH siblings taken in by Wood and Wagner -- but both hopelessly in love with the two)is schlock.
But the story between Wagner and Pearl Bailey (suicidal famous singer mourning the loss of her lover, who becomes charmed with Wagner and does her best to help him before she purposely succumbs to alcoholism) saves the day.
Also, Natalie Wood is simply outrageously gorgeous in this picture. And Robert Wagner and Hamilton are pretty easy on the yes as well. So, when the story gets to be too much, just enjoy the view!
I wish that Wood and Wagner had more screen time together in this film (and that they ended up together), but that's because I love RJ and Nat together as a couple under any circumstances (and believe me one has to love them unconditionally -- as their story lines and acting and accents don't feature either near the top of their talents).
Still, a brave story to undertake. Its bad/good and very interesting. I recommend it for having the guts to be ahead of its time.
Nancy J Ordinaryfool
I admire Robert Wagner and Natalie Wood (especially), as rising young stars in Hollywood, for taking the chance to be in this type of picture at that time in history.
When Susan Kohner's character calls Pearl Bailey a "nigger," Robert Wagner whacks her one but good! And then he educates Miss spoiled brat and much misinformed Kohner, that Pearl is more decent than any of the white people in this movie! And more deserving of love and respect.
And folks, was he right. Bailey's character and performance are the most worthwhile in the film.
Yes, the basic story between Natalie Wood (poor country girl looking to move up in the world by passing Wagner's baby off as rich boy Hamilton's), Robert Wagner (poor confused misunderstood boy with talent for "race" music, but seemingly not much ambition to do anything with it), George Hamilton and Susan Kohner (spoiled RICH siblings taken in by Wood and Wagner -- but both hopelessly in love with the two)is schlock.
But the story between Wagner and Pearl Bailey (suicidal famous singer mourning the loss of her lover, who becomes charmed with Wagner and does her best to help him before she purposely succumbs to alcoholism) saves the day.
Also, Natalie Wood is simply outrageously gorgeous in this picture. And Robert Wagner and Hamilton are pretty easy on the yes as well. So, when the story gets to be too much, just enjoy the view!
I wish that Wood and Wagner had more screen time together in this film (and that they ended up together), but that's because I love RJ and Nat together as a couple under any circumstances (and believe me one has to love them unconditionally -- as their story lines and acting and accents don't feature either near the top of their talents).
Still, a brave story to undertake. Its bad/good and very interesting. I recommend it for having the guts to be ahead of its time.
Nancy J Ordinaryfool