Well, once more we have another journey into the struggle for the future of Hogwarts. This time, the quest involves the saga of Sirius Black. Who is he? Why is he on the prowl for young Harry? And what, ultimately, is the truth behind the murder of James and Lilly Potter, Harry's parents? The tale opens with yet another killer title sequence, this time bringing the familiar Warner Bros. shield to light in spurts before focusing on Harry's 'homework assignment,' if you will --- the Lumos Maxima spell. After this, we come to the first segment of the story proper. Now aged 13, Harry is angrier, and more unsure of his destiny than in his previous adventures at Hogwarts. His rage against one of the Dursleys' relatives intensifies when he finally decides it's not worth it to remain there ("Anywhere's better than here," he complains to Uncle Vernon).
A few moments later --- the Night Bus. What a ride, especially with British veteran comic Lenny Henry contributing the voice of the manic Shrunken Head! The film reaches its most beautiful moment, however, as Hagrid --- newly installed as Professor in Charge of the Care of Magical Creatures --- introduces his class, and us, to Buckbeak the Hippogriff. The haunting flight of Buckbeak, with Harry on his back, is complimented by a new theme from John Williams; and yes, Harry does the 'king-of-the-world' thing a la Leonardo DiCaprio (but that, of course, we can forgive).
Director Alfonso Cuaron, who makes here a return to making films from family stories, provides us with as unexpected an ability to play mind games with the Potter legend's staunchest supporters (us, the audience) than even Chris Columbus did, when we discover at last what is really going on. That Sirius Black is Harry Potter's godfather, and would willingly sacrifice himself for Harry's honor, brings more sorrow than joy to our hero's emotional psyche, setting the stage for the major payoff sequence.
How horrifying it is to learn that the rat you have loved and cared for for all of 12 years is no less than the traitor who brought Voldemort the means to slay James and Lilly! One can imagine what's going through Ron Weasley's mind as he, Harry, and Hermoine witness these bitter revelations.
And finally, we have the theme of expressing freedom, as Harry sees himself, changed into a glowing stag, giving the evil Dementors what for, thus freeing both Sirius and Buckbeak --- two innocents who, like Hagrid himself, have been falsely accused and condemned. Alas, Sirius' destiny, as we know all too well, is to be a short-lived one.
So, what did you love about the movie? I hear you asking. Well, aside from the usual smokin' performances from our regulars (and a jolly toast to Michael Gambon who, one hopes, will be given a bigger, cooler beard once Order of the Phoenix goes into principal photography), there is also the delightful spectre of darkness surrounding the story, and a ferocious bid for battling against revenge. And, for the first time, the inclusion of the Marauders' Map is not only emphasized, it also serves as the inspiration --- and literal setting --- for the movie's end-credit sequence.
All in all, Prisoner of Azkaban brings the darker Potter power to light in ways one would not dare expect out of screenwriter Steve Kloves. Alas, they're saying that Steve will be leaving the production team after having completed the Goblet of Fire script; if another writer does Order of the Phoenix proper justice, they'll be hard-pressed to take on the search for one. That being the case, I sincerely hope our legions of fans will enjoy our film. Who knows? I may have to do this again three years from now when Half-Blood Prince gets the movie treatment! (Heh-heh!) Faithfully, Albus Dumbledore
A few moments later --- the Night Bus. What a ride, especially with British veteran comic Lenny Henry contributing the voice of the manic Shrunken Head! The film reaches its most beautiful moment, however, as Hagrid --- newly installed as Professor in Charge of the Care of Magical Creatures --- introduces his class, and us, to Buckbeak the Hippogriff. The haunting flight of Buckbeak, with Harry on his back, is complimented by a new theme from John Williams; and yes, Harry does the 'king-of-the-world' thing a la Leonardo DiCaprio (but that, of course, we can forgive).
Director Alfonso Cuaron, who makes here a return to making films from family stories, provides us with as unexpected an ability to play mind games with the Potter legend's staunchest supporters (us, the audience) than even Chris Columbus did, when we discover at last what is really going on. That Sirius Black is Harry Potter's godfather, and would willingly sacrifice himself for Harry's honor, brings more sorrow than joy to our hero's emotional psyche, setting the stage for the major payoff sequence.
How horrifying it is to learn that the rat you have loved and cared for for all of 12 years is no less than the traitor who brought Voldemort the means to slay James and Lilly! One can imagine what's going through Ron Weasley's mind as he, Harry, and Hermoine witness these bitter revelations.
And finally, we have the theme of expressing freedom, as Harry sees himself, changed into a glowing stag, giving the evil Dementors what for, thus freeing both Sirius and Buckbeak --- two innocents who, like Hagrid himself, have been falsely accused and condemned. Alas, Sirius' destiny, as we know all too well, is to be a short-lived one.
So, what did you love about the movie? I hear you asking. Well, aside from the usual smokin' performances from our regulars (and a jolly toast to Michael Gambon who, one hopes, will be given a bigger, cooler beard once Order of the Phoenix goes into principal photography), there is also the delightful spectre of darkness surrounding the story, and a ferocious bid for battling against revenge. And, for the first time, the inclusion of the Marauders' Map is not only emphasized, it also serves as the inspiration --- and literal setting --- for the movie's end-credit sequence.
All in all, Prisoner of Azkaban brings the darker Potter power to light in ways one would not dare expect out of screenwriter Steve Kloves. Alas, they're saying that Steve will be leaving the production team after having completed the Goblet of Fire script; if another writer does Order of the Phoenix proper justice, they'll be hard-pressed to take on the search for one. That being the case, I sincerely hope our legions of fans will enjoy our film. Who knows? I may have to do this again three years from now when Half-Blood Prince gets the movie treatment! (Heh-heh!) Faithfully, Albus Dumbledore