Life is really a miracle, or rather some miracles. And one of them is to realize that at least one director, despite of the lack of ideas, capabilities, culture and courage nowadays creeping through the modern cinema background, can still shoot such wonderful masterpieces. Kusturica perfectly draws scenes and characters, plays with music and animals, skilfully weaves the plot and cover the whole lenght of the movie with something magic that only a Jugoslavian can create. This is film obviously shows also a dramatic and harsh reality, but always relieved by a light-hearted approach to life.
I do not really understand how can someone assert that this movie is a copy or a repetition of previous Kusturica's ones. Should have any sense, for example, a critic to the great Kurosawa because some of his genial masterpieces are similar one another or since they deal always with samurai's stories?
I do not really understand how can someone assert that this movie is a copy or a repetition of previous Kusturica's ones. Should have any sense, for example, a critic to the great Kurosawa because some of his genial masterpieces are similar one another or since they deal always with samurai's stories?