Review of Evil Dead Trap 2

Evil Dead Trap 2, the film, is many things. It is a brilliantly crafted series of ultra-violent sequences. It is an engaging story of a fat female projectionist in a sick sick world. It is a mind-blowing statement for the wide range of violent acts that it covers. It is a deceptively abstract story centering on perhaps the some of the most meaningless terrors in all of moviedom. Behind all that, Evil Dead Trap 2 is the apex Japanese new-wave cinema. There is not a major director today who has not been influenced by the genius Izô Hashimoto put forth in this blisteringly important contemporary masterpiece. The filmacts as a spring-board centering around a group of weirdos instigating several serial murders, guts/entrails, freely yanked from the victims vaginal cavities, dangle like bleeding wet noodles on a hot summer's day, and goes from there.

From there on, the viewer is thrown into a gloriously chaotic world of violent acts upon violent acts, in which the viewer slowly learns just about everything about young Aki's enthralling depravities. From her trying childhood to her inexplicable visions of the child-like Christ/Antichrist figure, Hideki; to her difficulties relating to others, the story of fat babe Aki is presented for the viewer in a way that few other movies can offer, in a word: magically. Evil Dead Trap 2, undeniably, is THE triumph of World Cinema, and as such thus exceeds by far -- one of the greatest films every created -- it's predecessor.