7/10
Peer pressure in the big city
7 July 2005
Warning: Spoilers
Paolo Virzi's "Caterina va in citta" is a film where he decided to throw his own personal take in the Italian society of the present. Mr. Virzi is a director of talent. In this film, he decides to give us a disarming heroine, Caterina, who is at the center of two opposing factions, the left and the right.

At the beginning of the film we meet Giancarlo Iacovani, who is a teacher in a northwest coastal town, perhaps in Tuscany. He is telling his boring students how he has hated them for making his life miserable while trying to teach them something, as he is bailing out to his native Rome, where he is finally been transferred.

His daughter Caterina, the intense and earnest teen ager, is seen practicing in the chorus and she gets carried away singing the beautiful music she adores. She appears not too keen on the moving to Rome. The area where they are moving to seems to be a place where chaos reigns and where the apartments are so close to one another that the young girls can see all what's going on with all the neighbors across the street.

As Caterina is going to start classes, a proud Giancarlo, is seen taking her to her first day of school at the same one where he has gone himself, years before. The class Caterina joins is an unruly place where the young people are clearly from two different factions, those with money and right wing sympathizers, or those with money but left wingers leaning into communism. Caterina is made feel unwelcome for sticking out as she doesn't belong with one group, or the other.

Upon going home from the first day of school and showing her father Giancarlo the names of her classmates, he becomes impressed because most of the students seem to be connected to who's who in Rome! Caterina is accepted first by Margherita, the rebel with left wing parents. Caterina learns this girl has gotten rid of her father's manuscript, which he had sent to Margherita's mother, an editor. Then, Daniela, the leader of the opposite faction, takes her under her wing and sophisticates her appearance. At the end, Caterina realizes Daniella is no friend either. The affection that Daniela's cousin shows to Caterina is thwarted when her snobbish mother makes a point to tell him to stop seeing the provincial girl.

The film keeps a fast pace that works for the movie. It seems that Mr. Virzi parallels the life in Rome to what we are seeing. The city, alas, has the wrong effect in Giancarlo, who is suspended from his teaching post and as he tries to fight for it, he is made aware he doesn't amount to anything and decides to take off on his own after he fixes his old motorcycle. It is clear at this point that Agata, the long suffering wife, has had it with his ups and downs as she finds solace with Fabietto, the kind bachelor friend.

The best thing in the film is Alice Teghil, who, as Caterina, is seen exploring new things that ultimately can't compare with the life she had in the small town she came from, with all its problems and small mindedness. Sergio Castellito plays the strident Giancarlo, a man that comes unglued in pursuing his dream of returning to the capital with little success once he is there. Margherita Buy, a beautiful actress, has little to do as Agata, the long suffering wife of Giancarlo. She is the only sane person we encounter in the film.

As the bad girls, Carolina Iaquaniello, is the grungy-Italian-style-like Margherita, the girl grown among the intellectual crowd. Federica Sberema, plays Daniela, the rich girl who is a mess and who moves with a fast crowd. The supporting cast do a good job.

The best part is the ending in which we watch the radiant Caterina doing what she does best: singing to her heart's content!
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