This is not a "child talks to dead people" movie. You should rejoice. It's not a "woman fights supernatural forces" thriller. You should get down on your knees and thank the powers that be. This is not "just an unnecessary re-make of the Japanese original". It's better.
Nakata is famous for taking the long view of his characters. Keeping us safe emotionally from them in order to bring the horror to life. Salles trumps him by pulling us right into Dahlia's arms where her fear, paranoia, and despair are absolutely palpable.
This is the story of a single mother trying to survive after a nasty divorce. Trying to hold onto her daughter so she can overcome her own history of abandonment. The ghosts (whether real or imagined) are peripheral to her dilemma.
The American Dark Water, gives us the same foreboding leak, the same bleak horrific photography, the same basic plot line, and yet by taking the emphasis off the ghosts reaches a much stronger emotional resonance.
Highly recommended for those that submit themselves to movies, rather than submit movies to themselves. You know who you are.
Nakata is famous for taking the long view of his characters. Keeping us safe emotionally from them in order to bring the horror to life. Salles trumps him by pulling us right into Dahlia's arms where her fear, paranoia, and despair are absolutely palpable.
This is the story of a single mother trying to survive after a nasty divorce. Trying to hold onto her daughter so she can overcome her own history of abandonment. The ghosts (whether real or imagined) are peripheral to her dilemma.
The American Dark Water, gives us the same foreboding leak, the same bleak horrific photography, the same basic plot line, and yet by taking the emphasis off the ghosts reaches a much stronger emotional resonance.
Highly recommended for those that submit themselves to movies, rather than submit movies to themselves. You know who you are.