Many people note the similarity to Rear Window. But except for some peeping there is no comparison to be drawn. This is more subdued Schindler's List as a back tale in another tale of self-discovery and fulfillment of personal interests and love. One evokes the other, as Giovanna learns bit by bit about the horror stories of razzias in Rome and she starts changing her life. By far the best and most emotional shot comes when Giovanna looks from her friend and neighbor Lorenzo's home to her own home and life. Effective use of doors and windows.
But that's it. There are no deeper layers, complex film-making or any other cinematic efforts at work here. It moves somewhat predictable to its end. To set it up as a mystery was still an interesting choice.Massimo Girotti fits here perfectly. But it lacks some coherence, an almost trademark weakness of current Italian cinema.
But that's it. There are no deeper layers, complex film-making or any other cinematic efforts at work here. It moves somewhat predictable to its end. To set it up as a mystery was still an interesting choice.Massimo Girotti fits here perfectly. But it lacks some coherence, an almost trademark weakness of current Italian cinema.