It is not difficult to understand why this languorous Franco ero-drama caused quite the controversy when released in 1970. It is sexually frank and throws in incest, lesbianism and interracial kissing with gleeful abandon.
Today, it seems very tame from a graphic point of view, but its sexual politics are way ahead of the ultra-conservative (sexual) climate the film industry currently operates in.
This is not an el cheapo Franco flutter shot on a castle set with bad lighting and hit-and-miss focus. It is beautifully shot by Manuel Merino and, as always, Bruno Nicolai delivers a rich, evocative score.
Eugenie's "journey" into perversion encompasses light lesbianism, a little rough intercourse and some soft whipping of her tender breasts. She emerges more lost and confused than liberated and ends up wandering nude for several minutes on an island; this sequence, the film's strongest, is quite surreal.
Marie Liljedahl, who plays Eugenie, is not Soledad Miranda, and is quite bland in her leading lady role.
Jack Taylor is suitably oily as Maria Rohm's lust-filled brother and Rohm makes the most of her role as Eugene's corrupter.
I like EUGENIE DE SADE quite a bit more than this and find it far more erotic, but this is worth a look, if not high praise.
Today, it seems very tame from a graphic point of view, but its sexual politics are way ahead of the ultra-conservative (sexual) climate the film industry currently operates in.
This is not an el cheapo Franco flutter shot on a castle set with bad lighting and hit-and-miss focus. It is beautifully shot by Manuel Merino and, as always, Bruno Nicolai delivers a rich, evocative score.
Eugenie's "journey" into perversion encompasses light lesbianism, a little rough intercourse and some soft whipping of her tender breasts. She emerges more lost and confused than liberated and ends up wandering nude for several minutes on an island; this sequence, the film's strongest, is quite surreal.
Marie Liljedahl, who plays Eugenie, is not Soledad Miranda, and is quite bland in her leading lady role.
Jack Taylor is suitably oily as Maria Rohm's lust-filled brother and Rohm makes the most of her role as Eugene's corrupter.
I like EUGENIE DE SADE quite a bit more than this and find it far more erotic, but this is worth a look, if not high praise.