Some would like to place significance in the content of Hart's final screen shot, her last before she became a nun in the "real" world the next year. Unfortunately, as we all know, films are not shot chronologically, so her tearful "farewell" signifies no deeper meaning. That concept is a bit too "Entertainment Tonight" for my taste.
Anyway, the film is a nicely produced cliché of its genre(s) - the-young-women-in-Europe-for-love, crossed with the stewardesses-as-Mid-60s-sex-symbols. The acting ranges from good (Hart and Nettleton), to miscast (Malden), to just plain grating (Tiffin).
The plot is silly, although it is mainly Tiffin's scenes that nearly derail the movie.
The one pleasure derived from viewing this period piece, is to appreciate the experience of flying commercial jets in the Golden Age. What was once truly a joy, is now akin to riding a Greyhound Bus in the sky. And when was the last time a "flight attendant" actually smiled at you?
The movie is worth a viewing. However, once is enough for me.
Anyway, the film is a nicely produced cliché of its genre(s) - the-young-women-in-Europe-for-love, crossed with the stewardesses-as-Mid-60s-sex-symbols. The acting ranges from good (Hart and Nettleton), to miscast (Malden), to just plain grating (Tiffin).
The plot is silly, although it is mainly Tiffin's scenes that nearly derail the movie.
The one pleasure derived from viewing this period piece, is to appreciate the experience of flying commercial jets in the Golden Age. What was once truly a joy, is now akin to riding a Greyhound Bus in the sky. And when was the last time a "flight attendant" actually smiled at you?
The movie is worth a viewing. However, once is enough for me.