The opening sequence is copied almost frame by frame from the original "Italian Job", as Salvatore Prevosti loses his life in an automobile accident because he was thinking of his wife Catarina (Edwige Fenech). After this everybody wears black for the rest of the film, though the tight fitting low cut widows peaks Fenech is wearing would make even Morticia Addams blush. Unless Catarina and her scheming mother Franchesca can prove she is carrying an heir, Salvatore's greedy brothers will claim his inheritance. All of them know there is no chance of a pregnancy, meaning the winsome widow has less than two weeks to get knocked up. So her greedy mom starts proposing indecent to every man in sight (except the brothers in law). Tonio & Nico, the brothers in question, retaliate by getting rid of all the servants and surrounding the mansion by Sicilian Picciotti (who all dress like Michael Corleone's sheep herding pals) to guard the mansion. Soon every young man in town is climbing over the fence at night, only to be beaten up and thrown back.
Meanwhile Catarina remains quite reluctant to play the harlot and says so to the picture of her dead husband by her bedside. As usual in comedies of this kind, the photograph keeps changing expression. This joke is used so many times in 'La Vedova', that the picture becomes a virtual supporting character. At her husbands wake, Catarina spots olive oil mustachio Carlo Bruchelli (Carlo Giuffrè) and instinctively knows he's the best choice. However, Carlo plans to break into Salvatore's safe at night to get back evidence of his gambling debts. When he finds he cannot cross the grounds at night because of the rangers, the women strike another deal: sleep with Edwige and all debts are paid. Weakling Carlo reveals himself to be a eyebrow stroking baron who has doubts about the ways of the heart. You see, they are only halfway through the picture and have to stretch this meager story out till the end.
So after a promising start, the movie slows down considerably as the three leads dance around each others feelings inside the house while a battalion of guards keeps watch outside. The use of potent potables to get Carlo's juices flowing only gives him nightmares and results in probably the most pathetic slow motion caveman dream ever put on film. Meanwhile again, the stupider brother in law, Nico, is obviously in love with Catarina and plans on producing his own heir with her. This leads to more confusion and a final twist that you will no doubt have figured out long before the main characters do. The moral of the story is: in the dark all men are alike, be they rich or poor.
7 out of 10
Meanwhile Catarina remains quite reluctant to play the harlot and says so to the picture of her dead husband by her bedside. As usual in comedies of this kind, the photograph keeps changing expression. This joke is used so many times in 'La Vedova', that the picture becomes a virtual supporting character. At her husbands wake, Catarina spots olive oil mustachio Carlo Bruchelli (Carlo Giuffrè) and instinctively knows he's the best choice. However, Carlo plans to break into Salvatore's safe at night to get back evidence of his gambling debts. When he finds he cannot cross the grounds at night because of the rangers, the women strike another deal: sleep with Edwige and all debts are paid. Weakling Carlo reveals himself to be a eyebrow stroking baron who has doubts about the ways of the heart. You see, they are only halfway through the picture and have to stretch this meager story out till the end.
So after a promising start, the movie slows down considerably as the three leads dance around each others feelings inside the house while a battalion of guards keeps watch outside. The use of potent potables to get Carlo's juices flowing only gives him nightmares and results in probably the most pathetic slow motion caveman dream ever put on film. Meanwhile again, the stupider brother in law, Nico, is obviously in love with Catarina and plans on producing his own heir with her. This leads to more confusion and a final twist that you will no doubt have figured out long before the main characters do. The moral of the story is: in the dark all men are alike, be they rich or poor.
7 out of 10