Thank God for stop-motion animation and the creative genius that is Tim Burton because any other technique would have diminished its surrealistic landscape. But, however kid-friendly THE NIGHTMARE BEFORE Christmas appears, this is a somewhat disturbing tale that children under the age of ten may not like because of some of its subject matter, specifically a scene in which Santa Claus gets tortured by the Boogeyman and children have a frightening experience with Christmas presents that turn deadly.
Relying heavily on HOW THE GRINCH STOLE Christmas, the story tells of how Jack Skellington, the Pumpkin King of Halloweentown is in a rut because every Halloween is the same old thing. By accident he stumbles onto what seems to be a portal embedded unto a tree which lands him in magical Christmastown -- a place which enchants him, a place where "Sandy Claws" is revered as its gift-giver. Here he gets an epiphany of an idea: he decides that he wants to celebrate Christmas the Halloween way, all in good spirit, and decides to kidnap Santa Claus, but Sally, the rag doll who loves him, has a strong feeling that this will not turn out well and must find a way to stop him, particularly when Oogie Boogie, the Boogeyman, enters the scene with nasty intentions.
This is, quite simply, a beautiful film despite its dark and borderline disturbing tone which arrive late into the story once Jack Skellington decides to go on his frightful crusade to bring Halloween into Christmas unto an unsuspecting world. However, the film is really in good cheer and even a ghoul as mean as Oogie Boogie proves to be quite harmless. I do believe, though, this is a film to be watched closely and with a child spirit in order to appreciate its technical wizardry: Jack Skellington's eyes say it all: when has a skeleton looked so childlike and full of wonder? And who but a child could create the havoc stemming from a prank instead from meanness? Like I said -- this is a stunning film, and one the family can view on not one but two holiday seasons. If you like your Christmas a little iconoclastic and retch at the thought of singing another Christmas carol, this is the film for you.
Relying heavily on HOW THE GRINCH STOLE Christmas, the story tells of how Jack Skellington, the Pumpkin King of Halloweentown is in a rut because every Halloween is the same old thing. By accident he stumbles onto what seems to be a portal embedded unto a tree which lands him in magical Christmastown -- a place which enchants him, a place where "Sandy Claws" is revered as its gift-giver. Here he gets an epiphany of an idea: he decides that he wants to celebrate Christmas the Halloween way, all in good spirit, and decides to kidnap Santa Claus, but Sally, the rag doll who loves him, has a strong feeling that this will not turn out well and must find a way to stop him, particularly when Oogie Boogie, the Boogeyman, enters the scene with nasty intentions.
This is, quite simply, a beautiful film despite its dark and borderline disturbing tone which arrive late into the story once Jack Skellington decides to go on his frightful crusade to bring Halloween into Christmas unto an unsuspecting world. However, the film is really in good cheer and even a ghoul as mean as Oogie Boogie proves to be quite harmless. I do believe, though, this is a film to be watched closely and with a child spirit in order to appreciate its technical wizardry: Jack Skellington's eyes say it all: when has a skeleton looked so childlike and full of wonder? And who but a child could create the havoc stemming from a prank instead from meanness? Like I said -- this is a stunning film, and one the family can view on not one but two holiday seasons. If you like your Christmas a little iconoclastic and retch at the thought of singing another Christmas carol, this is the film for you.