6/10
Constance Bennett plays a shopgirl who finds an easier way...
16 January 2006
Pre-code films are always fun to watch although they do seem primitive by today's standards. But as a measure of what Hollywood was able to do despite film censorship that had to downplay the more censorable aspects of the original story, this is pretty risqué for its time.

Bennett, of course, was the Joan Crawford of her era, always playing a put upon heroine in sob stories that never had too much credibility. Here she pines for Robert Montgomery (singularly lacking in the big romantic star department, even then), while her disapproving brother-in-law (Clark Gable in an early role), frowns on her unorthodox behavior as a kept woman (Adolphe Menjou is the rich sugar daddy).

Enjoyable only as a relic. Bennett does a passable job, no more, her false eyelashes and peroxide blonde hair making her look a little harsh under those kleig lights. But the most natural performance, as well as the most charisma, is clearly Clark Gable's. He comes across as a handsome newcomer who steals a scene by his mere presence. He has the final Christmas scene with Bennett, and it's a touching one.

He would later become the big romantic male star that Robert Montgomery failed to develop into.
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