Review of

(1963)
10/10
The Highest Point in Cinematic Art
7 February 2006
Warning: Spoilers
Our tale begins on a congested road. Our Protagonist's car fills with gas. He desperately tries to escape. The camera gives us a claustrophobic sense and within the first few minutes I am on the edge of my seat. Needless to say our protagonist survives but the outcome of this scene reveals so much. Fellini's 8 1/2 is a brilliantly executed tale of a mans life crashing down around him. It is a semi autobiographical tale, Guido is a director who is in a bit of a creative slump. He is giving both the press and executives the run around in order to buy time--hoping to find inspiration. His marriage is shaky and his relationship with his mistress is complicated. Guido tries to escape by going to a spa but his escape is not so easy... This film portrays inner conflict through dream sequences and fantasies as opposed to Expressionism. It is these sequences that enlighten the viewer and add dimension to the tale. To me 8 1/2 is the greatest film in ever, eclipsing Citizen Kane (of course AFI's top 100 list is limited to American movies...) and proving to be enjoyable and insightful.
47 out of 69 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed