Land of the Blind is a fearless meditation on the corrupting nature of power
19 March 2006
Land of the Blind is a fearless meditation on the corrupting nature of power, and adds to the current, very welcome, crop of thought provoking political films. But it is quite unlike anything else you will see. All to the better. It will demand a response, provoke debate. The narrative goes from farce to horror to poetry in a moment. There is no way the audience can just settle back and let the film roll before them. You are involved.

The story, set in a non-specific time and place, draws on revolutions, emperors and dictators from history. It is not simply of the Left, nor of the Right. It is more complex and questioning than that. Idiots in positions of power make a terrible mess. Idealistic intellectuals take over … and make a terrible mess. We've seen it and continue to see it the world over. The message is see what power can do. It is never year Zero. One must always learn from history. The film makes a rare plea for wisdom.

The cast list is extraordinary. The roster of stars, working for a fraction of their normal fee I believe, appear to seize with gusto the unusual material they have been given and turn in excellent performances. Particularly noteworthy are Tom Hollander and Donald Sutherland as the two sides of the dictating coin and Jonathan Hyde and Robert Daws as the Tweedle Dum and Tweedle Dee courtiers, funny and frightening by swift turns. Ralph Fiennes gives a career best. And the elephants? What do they mean? Make up your own mind.
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